To quote from the website:
The gorgeous production of A Midsummer Night’s Dream by the Ballet Russes is charged with eroticism and the glamor that goes with it. Indeed Shakespeare’s play with its two pairs of lover lost in the moonlit forest, love spells, jealousies, flirtations, deceptions, bands of flower fairies led by the Trickster Faun, Puck, is a rite of fertility magic. The choreographer has captured the hive quality of fairy beings, fused together in dances of sensuality and ecstasy. Oberon enters with his train of night and crown of branches. Beside him is the child, a grim reminder of the sacrifices of old, for it is Midsummer when the Summer King gives his life to the harvest. Titania is tricked by Puck into making love to one of his hoofed brethren, a donkey, for the fairies do not discriminate. Faeries are more than nature spirits. They are the spiritual Intelligences of the earth. Its is Faery from which life springs and to which it returns in never-ending cycles of death and rebirth. Earth is a sexual planet. We see this all around us: constant reproduction, growth, flourishing, impregnating and dying off so more life can be born. This is what earth does. It what faeries do. Therefore Earth is also a Love planet, for love charges eroticism with spiritual power. Mothers tend their young with love so that they will have the strength to survive.
And here is the 1935 film of a part of Shakespeare’s Midsummer’s Night Dream where Nini Theilade dances to Bronislava Nijinska’s choreography,